Driftscope
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![](https://freight.cargo.site/t/original/i/952b2f6ad4d1f9a03271b6049cc9f5b663ef53cab9aef87282637333d039f6df/terrenos2.jpg)
![](https://freight.cargo.site/t/original/i/6211cd63ff33ca19ec6454afb2bc71df1ebbb627f1277bbc577241cc0e08c119/terrenos4.jpg)
![](https://freight.cargo.site/t/original/i/ac9c6ee1f8e1556fcbb86c9e1b1769c05be45598a8628eeab0597ae14ce557d0/terrenos3.jpg)
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A helmet “feels” the city and maps the emotions of the walking artist. A video condenses moments when each emotion was predominant during that wander around the city. We used the situationist imaginary to mock surveillance devices and to criticize the dissemination of self-referenced egos in social networks. At the same time, the helmet is an useless device. Uselessness as a poetic of counter-information.
2017
Performance with relational device
Helmet, Raspberry Pi, sensors and cameras
Video
16:9, color
Variable measures
Exhibitions:
“Natural Intelligence”, Ars Electronica, Austria
“Cryptorave”, Cinemateca Brasileira, Brazil
“Terrenos Apaixonantemente Objetivos”, Coletivo Digital, Brazil
“_Poéticas_Políticas_Poéticas_”, Arts Institute Unesp, Brazil
In cooperation with Tiago F. Pimentel.